Prosody properties of stanza forms of poems in Uzbek poetry of the second half of the twentieth century
DOI:
https://doi.org/10.47494/mesb.v5i.79Keywords:
Aruz (ʿarūż), mustazod, kasida, rubai, tuyuq, fard, chiston, ta'rikhAbstract
To research the prosody properties of stanza poem forms, to research their meter, subject relationship, and to research the genre nature of small lyrical genres: rubai, tuyuq, qita, fard, chiston, and ta’rikh in relation to prosody. In the poetry of the second half of the twentieth century, there were mainly three groups according to the characteristics of the rubai genre and prosody: 1)traditional (classical) rubai; 2)dubaitis; 3)The prosody and formal characteristics of tuyuq are studied, were also divided into three groups: 1)tuyuqs created in the ramal meter; 2)tuyuqs based on tajnis; 3)tuyuqs created in syllabic meter. The emergence of new forms of the genre of mustazad, the unconventional appearance of full verses in the first and fourth lines.
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