The Eastern Thematics in the Christopher Marlo’s Works
DOI:
https://doi.org/10.47494/mesb.v14i.665Keywords:
K. Marlowe, Tamerlane, Orientalism, postcolonial studies, English literature, Renaissance English drama, Eastern motives, internal motivesAbstract
The actual goal of the given research is to analyze and determine the creative impact of the East and its ethno-cultural peculiarities upon the literary legacy of the prominent English playwright, poet and translator of the Elizabethan era Christopher Marlowe, basing our methodological analysis on one of his greatest plays, named Tamburlaine the Great. Tamburlaine the Great. Who, from a Scythian Shephearde, by his rare and woonderfull Conquests, became a most puissant and mightye Monarque. And (for his tyranny, and terrour in Warre) was tearmed, The Scourge of God., and for Part II, The Second Part of The bloody Conquests of mighty Tamburlaine. With his impassionate fury, for the death of his Lady and loue faire Zenocrate; his fourme of exhortacion and discipline to his three sons, and the maner of his own death The article also examines how the East appears in the play "Tamburlaine the Great" by K. Marlowe. The author analyzes how this image relates to the historical Tamerlane and the East of his day, what is the relationship between the European world and the East in the play, and also how legitimate it is to include Marlowe's play (and, in principle, the works of his contemporaries) in the now popular postcolonial discourse.
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