Flying into Infinity on the Wings of Stupidity
Keywords:
life, movement, piles, awakening, creativity, flourishing, aestheticsAbstract
The article examines the work of Flaubert, in which the most difficult problems are posed - social, psychological, scientific. The masses of human experiences have been investigated, explained in shades that had not previously attracted the attention of artists. And these explanations are so clear and often so true that the smallest detail acquires the extraordinary power of artistic typicality. The work reveals the broadest pictures of modern society. Of course, there is not that huge crowd of characters that moves in Balzac's "The Human Comedy". Flaubert's characters cannot be counted in thousands or hundreds. But in these comparatively few heroes, Flaubert embodied the typical features of his modernity with an amazing power of condensation. These are "deep" heroes, since behind them are hidden tendencies of social development, the fate of many people, something close and familiar to everyone. They are heroes that make one think, and these reflections lead the modern reader to conclusions that Flaubert himself did not think about.
Downloads
References
Adain A., Lerminier G., Morot-Sir E. Littérature française: En 2 vol. –P.: Larousse, 1972.
Andréoli M. Esquisse d’un parallèle entre les philosophies de Balzac et de Hugo. // Romantisme. 2004. Vol. 2. №124.
Antropologiedes Littérature de la langue française. – Paris: Bordas, 1988. P.488.
Artaud M. Essai sur le genie poétique du XIX siècle. “Revue d’histore Encyclopédique”, 1985, T/25. Р-613.
Bailly R. Dictionnaire des synonimes. Paris: Larousse, 1947. Р-169.
Brix M. Le romantisme français: esthétique platonicienne et modernité littéraire. Peeters Publishers, 1999. P.566.
Charles-Wurtz L. La poésie saxifrage // Revue des Lettres Modernes. L’écriture poétique. №6. Cain: Minard, 2006.
Chicherin A.V. Rhythm of the image. -M.: Science, 1980.P-239.
Ermatov B. French realist novel of the XIX century, translated into the Uzbek language: author. diss. ... cand. philol. nauk. - T., 1991. P. 36.
Freudenberg O.M. Poetics of the plot and genre. - M.: Labyrinth, 1997.
“Globe ”, 1825. 17 mai. L’article de L. Maigron. Р-150.
Guizot F. Cours d’histoire modérne. Histoire de la civilization en France, T.IV, 1830.Р-231.
Gusdorf G. Fondements du savoir romantique. – P.: Payot, 1982. P.299.
Gusdorf G. Du néant à Dieu dans le savoir romantique. – P.: Payot, 1983. P.311.
Gusdorf G. L’homme romantique. – P.: Payot, 1984. P.277.
Holbekov M.N. French art prose in translations into Uzbek (history and translation experience): Autoref. diss... sciences. – T., 1982. P.22.
“Journal des Débats”, 1823. 16 septembre.Р-3.
“Journal des Goncourt”, vol. 1, p. 36.
Kondorskaya V.I. To the history of the image of Madame Bovari – “Learned Notes” of the Leningrad State Pedagogical Institute named after A.I. Gerzen, t. XXVI, 1939, p. 222.
Lesur G.L. Annuaire historique et politique pour, 1820.Р-811.
Le petit Larousse illustre. – Larousse, 2011. Р-1777.
Miller D.L. Le nouvea polythéisme. P.: Imago, 1979.Pichois C. Philarète Charles net la vie literature au temps du romantisme. – Paris, 1964. P.389.
Pichois C. Philarète Charles net la vie literature au temps du romantisme. – Paris, 1964. P.377.
“Réponse aux adieux de sir Walter Scott à ses lecteurs” // “Recueillements poétiques”. – Œuvres completes, IV, 1849. Р-180.
Reizov B.G., The Work of Flaubert. Page 522.
Schweibelman N. F. Poetics of the prose of the French poets of the mid-nineteenth and early twentieth centuries. - Tyumen, 2003. P.36.
Tertaryan I.A. The History of world literature: in 9 volumes. - M.: Nauka, 1989.P.300.
Tolmacheva V.M. From romanticism to romanticism. - M.: Publishing House of Moscow State University, 1997. P.306.
Published
How to Cite
Issue
Section
This work is licensed under a Creative Commons Attribution 4.0 International License.
The work simultaneously licensed under a Creative Commons Attribution 4.0 International License
You are free to:
- Share — copy and redistribute the material in any medium or format
- Adapt — remix, transform, and build upon the material for any purpose, even commercially.
The licensor cannot revoke these freedoms as long as you follow the license terms.
Under the following terms:
-
Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
