The Problem of “A Strong Personality” in Shakespeare’ Dramas: Richard III and Macbeth

Tasheva Nafisa  Zayniddinovna

doi:10.47494/mesb.v20i.1006

The Problem of “A Strong Personality” in Shakespeare’ Dramas: Richard III and Macbeth

(1) Tasheva Nafisa Zayniddinovna Bukhara State Medical Institute, The Department of English Language
Uzbekistan
(*) Corresponding Author

DOI:

https://doi.org/10.47494/mesb.v20i.1006

Keywords:

lexical-semantic approach, character, play, tragedy, symbolism, strong personality

Abstract

The given article claims to identify and describe the character of a strong personality by means of analyzing Shakespeare’s poems named “Richard III” and “Macbeth” through lexical-sematic approach. Based on the theoretical model of the Renaissance, the author proves that the point of intersection of two renowned Shakespeare’s tragedies based on neo-romantic attitudes and Renaissance anthropocentrism,is the concept of a "strong personality", which is in polemical dialogue with the world and with its own soul.

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References

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Demicheva E.S. Hamlet motives in the poetry of M.I. Tsvetaeva // Russian and Comparative Philology: State and Prospects. International scientific conference dedicated to the 200th anniversary of Kazan University (Kazan, October 4-6, 2004). Works and materials. - Kazan: Kazan Publishing House. University, 2004.

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Elnitskaya S. Tsvetaeva's poetic world: the conflict between the lyrical hero and reality. - Wien, 1990.

VIEW Article

Published

2022-01-03

How to Cite

Zayniddinovna, T. N. . (2022). The Problem of “A Strong Personality” in Shakespeare’ Dramas: Richard III and Macbeth. Middle European Scientific Bulletin, 20, 7-10. https://doi.org/10.47494/mesb.v20i.1006

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Issue

Vol. 20 (2022): January

Section

Education

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