The Issue of Repertoire in the Development of Creative Processes in Theater

Abstract

The formation of the theater repertoire is a complex process. Sometimes a real work of art includes a play with an imposed idea. This puts some limitations for pure competition between all theaters. This is because all theaters touch on a topic that requires time and politics. Similar performances are created within the same theme. But it is easy for the viewer to understand that ideas and ideologies are forcibly embedded in the image. However all means are in originality. The spectator is a fan of unique and simple, or works that interfere with real life. Therefore, everyone in the theater team - the director, the actor, the artist, the costume designer and other members of the team - must find a clear, popular solution that surprises the audience. This is especially complicated issue for puppetry. As we have already mentioned above several times, the specifics of puppetry are radically different. In a puppet show, the actors have to be invisible, and the solution of the images should be represented by a puppet.